Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:
Two new films show how tough it is to do justice to good writers on-screen. Johnny Depp certainly means to do right by his pal Hunter S. Thompson in The Rum Diary. He played Thompson in Terry Gilliam's rollicking but not especially watchable Fear and Loathing in Las Vegas, and narrated a documentary about him.
Almost every time TV takes a look at itself, and tries to explore or explain what it does as a medium, the result is a major disappointment â€” at least to me. I want TV to take itself seriously, but it almost never does. Every show about TV is either one of those dumb "Top 100" lists that networks like E! and VH1 crank out every month, or it's a show that's built entirely around the guests it can book, the clips it can afford, and the shows on its own network it want to promote.
The title of Deer Tick's new album, Divine Providence, is a pun: The band hails from the capital of Rhode Island. But the other side of the pun is sarcastic. There's little on the album concerning divine providence or care. Nor is the band provident â€” frugal or prudent â€” about its talent and music. Group frontman John McCauley continues to sing as though the primary idea is to shred his vocal cords.
The Boston Museum of Fine Arts and the Musee d'Orsay in Paris have two of the world's best collections of the work of the French postimpressionist Edgar Degas. The two museums have collaborated on an important show called Degas and the Nude, which includes pieces from major museums and private collections all over the world. Classical music critic Lloyd Schwartz, who lives in Boston, was moved by the show, which also triggered a sweet personal memory.
Steve Jobs did his last product launch last March, for the iPad 2. At the close, he stood in front of a huge picture of a sign showing the intersection of streets called Technology and Liberal Arts.
It was a lifelong ideal for Jobs, the same one that had drawn him to make his famous 1979 visit to the Xerox Palo Alto Research Center, or Xerox PARC for short. That was where a group of artistically minded researchers had developed the graphical user interface, or GUI, which Apple's developers were to incorporate into the Lisa and the Macintosh a few years later.
Writer Jeffrey Eugenides laments the fact that he was born too late to write a novel about marriage in the style of writers like Jane Austen and Henry James.
"I envy writers who came from a world where social constrictions were still normative and they could still write marriage plots," he tells Fresh Air's Terry Gross. "I couldn't, being an American born in 1960. ... I didn't think it was possible to write a Jane Austen novel now, and in fact, it isn't. But I did want to traffic in the same ideas."
It bugs Tyshawn Sorey that drummers don't get enough credit as composers, as if rhythm was the only thing they understood about music. That helps explain why Sorey's first two albums cut against expectations. They're studies in the slowly changing colors of long tones and sustained harmonies, a music of quietude and sudden disruptions. But his new album, Oblique â€” I, is mostly the kind of rollicking band album you'd expect from a powerhouse drummer.
Can people really change? That's the question Laura Dern and Mike White ask in their new HBO series, Enlightened, which premieres Monday night. The show features Dern as Amy Jellicoe, an ambitious executive who has a nervous breakdown at her workplace. She goes to a rehabilitation center in Hawaii, where she experiences an awakening.
Note: Wilhelm Furtwangler's last name is typically spelled with an umlaut over the 'a' character. The npr website does not support characters with umlauts over characters. A variation of Furtwangler's name without the umlaut is spelled Furtwaengler.
Wilhelm Furtwaengler's name may be hard for Americans to pronounce, but the reason this great conductor isn't so well-remembered here is that he chose to remain in Germany during WWII, though he was never a member of the Nazi Party, and was exonerated by a postwar tribunal.